Commedia Dell'Arte

0 Full Score A3 - 1 Full Score - 1 Piccolo - 4 Flute I - 4 Flute II - 2 Oboe I - 1 Oboe II - 1 Bassoon I - 1 Bassoon II - 1 Clarinet Eb - 5 Clarinet I - 5 Clarinet II - 5 Clarinet III - 1 Bass Clarinet - 2 Alto Saxophone I - 2 Alto Saxophone II - 2 Tenor Saxophone - 1 Baritone Saxophone - 3 Trumpet I - 3 Trumpet II - 3 Trumpet III - 1 Horn I Eb - 1 Horn I F - 1 Horn II Eb - 1 Horn II F - 1 Horn III Eb - 1 Horn III F - 1 Horn IV Eb - 1 Horn IV F - 2 Trombone I C - 1 Trombone I Bb (TC) - 1 Trombone I Bb (BC) - 2 Trombone II C - 1 Trombone II Bb (TC) - 1 Trombone II Bb (BC) - 2 Trombone III C - 1 Trombone III Bb (TC) - 1 Trombone III Bb (BC) - 2 Baritone C - 2 Baritone Bb (BC) - 4 Baritone Bb (TC) - 2 Bas Bb (TC) - 2 Bas Bb (BC) - 2 Bas Eb (TC) - 2 Bas Eb (BC) - 4 Tuba C - 1 Stringbass - 2 Percussion I - 1 Percussion II - 1 Percussion III - 1 Timpani

As the title implies, the work was inspired by the comic theatrical tradition developed in Italy from the 16th century onward, by troups of travelling actors. However, it originated long before during the roman period, and it influenced the much later comedies of Gozzi, Goldoni, Moliere, Lope de Vega, as well as the English Pantomime and the Viennese folk-play of the 19th century. Like many of my compositions, this piece has obvious balletic and pantomimic elements and performers and audience alike, should be encouraged to imagine characters such as Harlequin, Columbine, Pantaloon, Truffaldino, Scaramouche, together with pompose guardians, languishing daughters, serenading lovers and cheating servants. Let the curtain rise .......