Content
- I. Adagio - Allegro molto
- II. Largo
- III. Scherzo: Molto vivace
- IV. Allegro con fuoco
"From the New World"
Bärenreiter Urtext
Orchestral scoring:2(Picc),2(Eh),2,2 – 4,2,3,1 – Timp +1 - Str
The “New World” Symphony, a jewel of the symphonic repertoire, is finally available in a dependable scholarly-critical edition.
Yet again Jonathan Del Mar has managed to untangle a complex network of surviving sources, some of which have never been taken into account before. Among them are several musical examples in Dvorák’s hand known to have been used in a lecture he held at Columbia University shortly after the première given by the New York Philharmonic under the baton of Anton Seidl.
Del Mar thus sheds light, for example, on the frequently debated rhythm of the horn entrance in measure 4 of the opening movement and illuminates Dvorák’s vague instructions on the use of mutes in movement 2.
"From the New World"
Bärenreiter Urtext
for: Symphonic orchestra
Score (Urtext edition)
Item no.: 684987
Bärenreiter Urtext
for: Symphonic orchestra
Study score (Urtext edition)
Item no.: 1026711
"From the New World"
Bärenreiter Urtext
for: Symphonic orchestra
Harmony parts (complete winds)
Item no.: 693654
"From the New World"
Bärenreiter Urtext
for: Symphonic orchestra
Violin 2 (orchestral part)
Item no.: 693651
"From the New World"
Bärenreiter Urtext
for: Symphonic orchestra
Viola (orchestral part)
Item no.: 693652
"From the New World"
Bärenreiter Urtext
for: Symphonic orchestra
Cello (orchestral part)
Item no.: 693650
"From the New World"
Bärenreiter Urtext
for: Symphonic orchestra
Double bass (orchestral part)
Item no.: 693653
"From the New World"
Bärenreiter Urtext
Book (critical commentary)
Item no.: 693649