After the Second World War, there emerged a new generation of composers, who sought to stretch the boundaries of music history, and find new and exciting styles and forms. Browse our sheet music and scores, take a look at our Modern Classical Music, and explore the wide world of contemporary music with Stretta Music today!
Dodecaphony or Serialism is the use of the twelve semi-tones as the harmonic and structural basis, rather than the traditional harmonic key structure which governed classical music until the turn of the twentieth century. Arnold Schoenberg was the father of twelve-tone composition in the 1930s. Moving into the post-war era, all dodecaphonic or serial musical parameters, including note lengths, dynamics and even timbres were set in rows. After 1948, the Darmstadt “holiday courses” became the centre of Dodecaphony or Serialism for almost a decade. Despite the mathematical and logical basis, twelve-tone composition still produced many highly emotional works such as Luigi Nono’s Il Canto sospeso.
As the technical and electronic possibilities continued to grow and thrive after the war, the first studio solely dedicated to electronic music was founded in Cologne in 1951 by Herbert Eimert. Important electronic music composers were Edgar Varese, Karlheinz Stockhausen, Ernst Krenek, Maurice Kagel, Luciano Berio and Iannis Xenakis, who was also an assistant to the architect Le Corbusier.
Aleatoric comes from the Latin “alea”, meaning dice. Aleatoric composition leaves elements of the music to chance. The American composer John Cage was the first to experiment with aleatoric music, and many others followed, in particular K. Stockhausen, P. Boulez, W. Lutosławski.
Soundscape composition plays with sense and emotion, it uses long drawn musical landscapes to give the listener time to recognise and experience the music in a whole new way. The most important compositions include Atmosphères and Lontano by György Ligeti. Other works of this type were created by Luigi Nono, Krzysztof Penderecki, Iannis Xenakis.
Minimalism also came to Europe from the USA. Minimalism uses repetitive, wide blocks of sound, without strong contrasts or dramatic changes. It is in the repetition, with gradual, small changes, that the minimalist effect is achieved. The pioneers of minimalism in the 1960s were American composers Philip Glass, John Adams, Le Monte Young, Terry Riley and Steve Reich. They were followed in Europe by Henryk Górecki and Arvo Pärt.
for: Accordion
Item no.: 210879
for: Accordion orchestra
Set of parts
Item no.: 219504
for: Accordion orchestra
Set of parts
Item no.: 219325
for: Accordion orchestra
Set of parts
Item no.: 218872
for: FCH/BL/STRQU/KL
Item no.: 354484
for: zwei Sopranblockflöten, Trompete (Kornett), Violine, Trommel und Klavier
Item no.: 354458
for: Chamber orchestra
Study score
Item no.: 355627
for: Kinderchor (Mez) und 3 Blockflöten (SSA)
Einzelstimme
Item no.: 355613
for: Flöte, Oboe, Klarinette, Fagott und Orchester
Study score
Item no.: 352877
for: Sopran-solo, Bass-solo, gemischter Chor und Orchester
Set of parts
Item no.: 352721
for: Viola, orchestra
Piano reduction, solo part
Item no.: 353856
for: Flute, chamber orchestra
Study score
Item no.: 353742
for: Piano
Item no.: 353660
for: 4 guitars (quartet)
Ensemble score
Item no.: 355137
for: 4 Hörner in F, 3 Trompeten in B und 3 Posaunen
Einzelstimme
Item no.: 354910
for: 4 Hörner in F, 3 Trompeten in B und 3 Posaunen
Einzelstimme
Item no.: 354906
for: Soloists, mixed choir, orchestra
Lyric book
Item no.: 354696
for: Symphonic orchestra
Study score
Item no.: 352512
for: Orchestra
Study score
Item no.: 352126
for: Mixed choir (SATB), orchestra
Piano reduction
Item no.: 352021
for: 9 Blechblasinstrumente
Set of parts
Item no.: 278184
for: Violin, piano
Single part (solo)
Item no.: 272232
for: Mixed choir (SATB) a cappella
Choir score
Item no.: 204899
for: Mixed choir (SATB) a cappella
Choir score
Item no.: 204712
for: Male choir (TTBB) a cappella
Choir score
Item no.: 204257
for: Mixed choir (SATB) a cappella
Choir score
Item no.: 204235
for: Mixed choir (SATB) a cappella
Choir score
Item no.: 204223
for: Male choir
Choir score
Item no.: 204046
for: Mixed choir a cappella
Choir score
Item no.: 203924
for: Male choir (TTBB) a cappella
Choir score
Item no.: 203645
for: Male choir (TTBB) a cappella
Choir score
Item no.: 203643
for: gemischter Chor (SATB) mit Soli (SATB)
Choir score
Item no.: 203335
for: Male choir (TTBB) a cappella
Choir score
Item no.: 203270
for: Male choir (TTBB) a cappella
Choir score
Item no.: 202892
for: gemischter Chor (2 gleiche oder 4 gemischte Stimmen) mit Bläsern oder Orgel
Set of parts (Wind instruments)
Item no.: 202655
for: gemischter Chor unisono und Orgel / Blasorchester
Set of parts (Wind instruments)
Item no.: 202516
for: Flute, string orchestra
Viola (orchestral part)
Item no.: 643312
Cantata in 3 parts
3. Canticle to Hope
for: Soloists, mixed choir, orchestra
Piano reduction
Item no.: 351387
for: Orchestra
Einzelstimme
Item no.: 334680
for: Voices, orchestra
Piano reduction
Item no.: 352002
for: Male choir (TTBB) a cappella
Choir score
Item no.: 392138
for: Male choir (TTBB) a cappella
Choir score
Item no.: 391952
for: Male choir (TTBB) a cappella
Choir score
Item no.: 391530
for: Frauenchor (SSA) mit Klavier oder Streichorchester
Single part Violin 2
Item no.: 375987
for: Voice, piano
Music score
Item no.: 264658
for: Accordion
Music score
Item no.: 261914
for: Accordion orchestra
Single parts 1 (solo), 2 (Accordion)
Item no.: 260931
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