“Music owes as much to Bach as religion to its founder.” Robert Schumann
It is astounding how abundant and inexhaustible are his works. Johann Sebastian Bach (1685-1750) is more than the epitome of baroque music, and one wonders how a single person could accomplish so much in one lifetime. Show others the brilliance of Bach through Stretta!
After a number of engagements as an organist, in which he often confused more than supported parishes with his improvisational skills and harmonic experiments, in 1708, J. S. Bach was appointed Court Organist & Chamber Musician by the Duke of Saxony-Weimar. It was during this period that he composed most of his organ music. In 1714 he was promoted to Concert Master of the Court Orchestra, and one of his duties was to compose weekly cantatas for the Sunday Service, laying the foundations for the 300 or more Bach Cantatas, of which around 200 remain. For his next position, as Kapellmeister to the Prince of Anhalt-Köthen from 1717, Bach’s role no longer required him to compose sacred music, so it was here that many of any his instrumental works were developed, including The Brandenburg Concertos.
With his last role as Cantor of St. Thomas in 1723, Bach held his first and only official position working for the city, the city of Leipzig. He was responsible for the music at the four main churches in Leipzig, and he taught at St. Thomas’ Boarding School. The St. Thomas’ Boys’ Choir is still one of the most important, and traditional boys’ choirs in the world today. In his final years, despite his steadily declining sight, Bach still created works that are the sum, and pinnacle of counterpoint, such as The Musical Sacrifice or the The Art of Fugue.
As was common in the 18th century, Bach’s works were quickly forgotten after his death. People were only concerned with new music. It was Bach’s sons, and his successors at St Thomas’, who preserved his memory. Composers of the First Viennese School, like Wolfgang Amadeus Mozart and Ludwig van Beethoven, especially admired Bach’s counterpoint, and learned a great deal from him. In the 19th century Bach Renaissance, the St. Matthew Passion was famously rediscovered, and performed in Berlin in 1829 by Felix Mendelssohn-Bartholdy. Another important milestone was the first complete edition of Bach’s works, which was created between 1850-1899. Today’s “New Bach Edition” was published between 1954-2007 by Bärenreiter and has become the authoritative Bach edition. The Original Manuscript of Bach’s B Minor Mass was declared a UNESCO World Document Heritage in 2015.
Johann Sebastian Bach came from a long line of musicians, whose family dated back centuries. Four of his sons continued this tradition, also becoming composers, ending up in London and Milan. With their works, they bridge the gap between baroque and classical music.
for: Horn (F)
Music score
Item no.: 1654742
Bärenreiter Urtext
for: Harpsichord [piano], string orchestra
Score (Urtext edition)
Item no.: 620987
BÄRENREITER URTEXT
for: Alt solo, Tenor solo, Bass solo, Gemischter Chor (SATB), Oboen (2), Streicher, Basso continuo
Piano reduction (Urtext edition)
Item no.: 116778
for: 3 recorders (aab)
Set of parts
Item no.: 355354
for: 4 recorders (SATB quartet)
Ensemble score
Item no.: 355253
for: 20 Vokalisten (5S/5A/5T/5B)
Choir score
Item no.: 352563
for: Organ
Audio-CD
Item no.: 767970
from: Twelve Little Preludes
for: Piano
Music score
Item no.: 761718
Edition Schott
for: 2 violins, orchestra
Piano reduction, solo parts
Item no.: 746674
for: Akkordeon (M II / III)
Music score
Item no.: 1566076
for: gemischter Chor (SAB) und Klavier
Music score
Item no.: 1552363
from: Partita for Luth C minor
for: Guitar
Music score
Item no.: 749428
for: für Altblockflöte
Item no.: 112955
for: Dulcimer
Item no.: 276472
for: Organ
Score
Item no.: 1198962
for: 2 mixed choirs (SATB, SATB) a cappella
Score
Item no.: 1613203
Piano reduction
Item no.: 483471
for: Piano
Item no.: 172116
Book (softcover)
Item no.: 368259
for: 2 Flutes and 2 Clarinets
Score, Parts
Item no.: 995162
for: Flute, Clarinet and Piano
Score, Parts
Item no.: 995244
2 Books (softcover)
Item no.: 223925
for: Flute, guitar
Buch
Item no.: 328101
for: 2 violins, viola, cello (string quartet)
Score
Item no.: 963798
for: 2 violins, viola, cello (string quartet)
Score
Item no.: 963471
Arrangement with one orchestra only (arr. D. Sourisse)
BWV 244, 2020
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Score
Item no.: 1023558
for: VDG (VC) CEMB
Item no.: 120891
for: Organ Score
Score
Item no.: 1093495
for: Women's choir (SSAA), piano
Score
Item no.: 1038131
for: String orchestra
Score
Item no.: 938243
for: String orchestra
Score
Item no.: 938224
for: Concert band
Score
Item no.: 940711
for: String orchestra
Score
Item no.: 943188
for: Concert band
Score
Item no.: 1068281
for: Concert band
Score
Item no.: 1065359
for: Wind Orchestra
Score
Item no.: 1166203
Two copies needed for performance
for: Harpsichord [piano], string orchestra
Piano reduction (Urtext edition)
Item no.: 1355463
for: 2 trumpets (B-flat), horn (F), trombone, tuba
Score, Parts
Item no.: 996386
for: 5 Trumpets and Basso Continuo
Score, Parts
Item no.: 995407
for: Symphonic orchestra
Score, Parts
Item no.: 898165
for: Oboe, organ
Score, part
Item no.: 580051
Gitarrenmusik Fuer Den Unterricht
for: 4 guitars (quartet)
Item no.: 216055
for: Classical guitar
Music score
Item no.: 817271
Version Hellmann/Glöckner
Edition published in cooperation with the Bach-Archiv Leipzig, reconstructed version (2001)
Stuttgarter Bach-Ausgaben Urtext
for: 3 soloists (SAT), mixed choir (SATB), orchestra
Score
Item no.: 279225
Cantata for the 19th Sunday after Trinity
Urtext Stuttgarter Bach-Ausgaben
for: Soloist (bass), mixed choir (SATB), orchestra, basso continuo
Score
Item no.: 278102
for: Mixed choir, orchestra, basso continuo
Score
Item no.: 234089
for: 4 soloists (SATB), mixed choir (SATB), orchestra, organ
Score
Item no.: 233718
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