“Music owes as much to Bach as religion to its founder.” Robert Schumann
It is astounding how abundant and inexhaustible are his works. Johann Sebastian Bach (1685-1750) is more than the epitome of baroque music, and one wonders how a single person could accomplish so much in one lifetime. Show others the brilliance of Bach through Stretta!
After a number of engagements as an organist, in which he often confused more than supported parishes with his improvisational skills and harmonic experiments, in 1708, J. S. Bach was appointed Court Organist & Chamber Musician by the Duke of Saxony-Weimar. It was during this period that he composed most of his organ music. In 1714 he was promoted to Concert Master of the Court Orchestra, and one of his duties was to compose weekly cantatas for the Sunday Service, laying the foundations for the 300 or more Bach Cantatas, of which around 200 remain. For his next position, as Kapellmeister to the Prince of Anhalt-Köthen from 1717, Bach’s role no longer required him to compose sacred music, so it was here that many of any his instrumental works were developed, including The Brandenburg Concertos.
With his last role as Cantor of St. Thomas in 1723, Bach held his first and only official position working for the city, the city of Leipzig. He was responsible for the music at the four main churches in Leipzig, and he taught at St. Thomas’ Boarding School. The St. Thomas’ Boys’ Choir is still one of the most important, and traditional boys’ choirs in the world today. In his final years, despite his steadily declining sight, Bach still created works that are the sum, and pinnacle of counterpoint, such as The Musical Sacrifice or the The Art of Fugue.
As was common in the 18th century, Bach’s works were quickly forgotten after his death. People were only concerned with new music. It was Bach’s sons, and his successors at St Thomas’, who preserved his memory. Composers of the First Viennese School, like Wolfgang Amadeus Mozart and Ludwig van Beethoven, especially admired Bach’s counterpoint, and learned a great deal from him. In the 19th century Bach Renaissance, the St. Matthew Passion was famously rediscovered, and performed in Berlin in 1829 by Felix Mendelssohn-Bartholdy. Another important milestone was the first complete edition of Bach’s works, which was created between 1850-1899. Today’s “New Bach Edition” was published between 1954-2007 by Bärenreiter and has become the authoritative Bach edition. The Original Manuscript of Bach’s B Minor Mass was declared a UNESCO World Document Heritage in 2015.
Johann Sebastian Bach came from a long line of musicians, whose family dated back centuries. Four of his sons continued this tradition, also becoming composers, ending up in London and Milan. With their works, they bridge the gap between baroque and classical music.
Kantate zum Sonntag Misericordias Domini
for: 4 soloists (SATB), mixed choir (SATB), orchestra, organ
Cello (orchestral part)
Item no.: 233375
Kantate zum 1. Pfingsttag
Ausgabe nach der 1. Fassung; Entstehung evtl. früher, Niederschrift spätestens zu Pfingsten 1723
for: 2 soloists (SB), mixed choir (SATB), orchestra, organ
Single part(n)
Item no.: 233016
Festlicher Schlussgesang zum Gottesdienst
für gemischten Chor (oder 3 Oberstimmen) und Orchester
nach der Kantate BWV 207
for: Mixed choir (SATB), orchestra
Trumpet 1, 2 (orchestral part)
Item no.: 684869
Cantata for the New Year's Day
Urtext Stuttgarter Bach-Ausgaben
for: 3 soloists (ATB), mixed choir, orchestra, basso continuo
Viola (orchestral part)
Item no.: 797155
Cantata for the New Year's Day
Urtext Stuttgarter Bach-Ausgaben
for: 3 soloists (ATB), mixed choir, orchestra, basso continuo
Violin 1 (orchestral part)
Item no.: 797153
Kantate zum 4. Sonntag nach Trinitatis
Cello, double bass (orchestral part)
Item no.: 234047
Kantate zum 4. Sonntag nach Trinitatis
for: Violin
Violin 1 (orchestral part)
Item no.: 234044
Kantate zum Sonntag Sexagesimae
for: 4 soloists (SATB), mixed choir (SATB), orchestra, organ
Cello, double bass (orchestral part)
Item no.: 233999
Kantate zum 9. Sonntag nach Trinitatis
for: 4 soloists (SATB), mixed choir (SATB), orchestra, organ
Viola (orchestral part)
Item no.: 233621
Kantate zum 22. Sonntag nach Trinitatis
for: 3 soloists (SAB), mixed choir (SATB), orchestra, basso continuo
Violin 2 (orchestral part)
Item no.: 233422
Cantata for the 10th Sunday after Trinity
Urtext Stuttgarter Bach-Ausgaben
for: 3 soloists (ATB), mixed choir (SATB), orchestra, basso continuo
Single part Organ
Item no.: 232976
Kantate zum 1. Sonntag nach Epiphanias
Früher J.S. Bach zugeschriebenes Werk
for: 4 soloists (SATB), mixed choir (SATB), flute, strings, basso continuo
Violin 2 (orchestral part)
Item no.: 424480
Kantate zum 1. Sonntag nach Trinitatis
for: 4 soloists (SATB), mixed choir (SATB), orchestra, organ
Violin 1 (orchestral part)
Item no.: 424378
Kantate zum 16. Sonntag nach Trinitatis
for: 4 soloists (SATB), mixed choir (SATB), orchestra, organ
Single part Organ
Item no.: 1009362
Cantata for the 20th Sunday after Trinity.
Leipzig Version.
Reconstruction Masaaki Suzuki
Urtext Stuttgarter Bach-Ausgaben
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Violin 1 (orchestral part)
Item no.: 797122
Cantata for the 21st Sunday after Trinity
Urtext Stuttgarter Bach-Ausgaben
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Single part Organ
Item no.: 687872
Cantata for the Feast of John the Baptist
Urtext Stuttgarter Bach-Ausgaben
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Viola (orchestral part)
Item no.: 687572
Cantata for the Feast of John the Baptist
Urtext Stuttgarter Bach-Ausgaben
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Single part Organ
Item no.: 687569
Cantata for the 7th Sunday after Trinity
Urtext Stuttgarter Bach-Ausgaben
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Single part Organ
Item no.: 673188
Kantate zum 18. Sonntag nach Trinitatis
for: 4 soloists (SATB), mixed choir (SATB), orchestra, organ
Violin 2 (orchestral part)
Item no.: 233501
Kantate zum 2. Sonntag nach Trinitatis bzw. zum Reformationsfest
for: 4 soloists (SATB), mixed choir (SATB), orchestra, organ
Single part(n)
Item no.: 233257
Cantata for the 19th Sunday after Trinity
Urtext Stuttgarter Bach-Ausgaben
for: Soloist (bass), mixed choir (SATB), orchestra, basso continuo
Viola (orchestral part)
Item no.: 424214
for: 2 soloists (SB), mixed choir (SATB), orchestra, 2 organs
Violin 2 (orchestral part)
Item no.: 424240
Cantata for the 1st Sunday after Easter
Stuttgarter Bach-Ausgaben Urtext
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Violin 2 (orchestral part)
Item no.: 634127
Version Koch
Stuttgarter Bach-Ausgaben Urtext
for: 3 soloists (SAT), mixed choir (SATB), orchestra, organ
Violin 1 (orchestral part)
Item no.: 776132
Passio secundum Joannem BWV 245 - Urtext Stuttgarter Bach-Ausgaben
Fassung II (1725)
for: 5 soloists (SATBB), mixed choir (SATB), orchestra
Viola (orchestral part)
Item no.: 627393
Urtext Stuttgarter Bach-Ausgaben
for: Mixed choir (SATB), baroque orchestra
Violin 2 (orchestral part)
Item no.: 234101
for: Organ, orchestra
Single part Viola
Item no.: 1544804
from "Musikalisches Opfer"
for: String orchestra
Single part Violin 2
Item no.: 784819
for: gemischter Chor, Blockflöte (S/T), Klavier und Streicher ad libitum
Single part Cello/Double bass
Item no.: 1545881
for: Solo voice (alto), organ (obl.), orchestra, basso continuo
Violin 2 (orchestral part)
Item no.: 673220
for: Symphonic orchestra
Viola (orchestral part)
Item no.: 213965
for: Symphonic orchestra
Cello, double bass (orchestral part)
Item no.: 555537
for: Symphonic orchestra
Violin 2 (orchestral part)
Item no.: 553151
for: Symphonic orchestra
Viola (orchestral part)
Item no.: 432331
for: 4 soloists (SATB), mixed choir (SATB), orchestra, organ
Viola 2 (orchestral part)
Item no.: 1644935
for: Soloists, mixed choir, orchestra
Violin 2 (orchestral part)
Item no.: 655238
for: Symphonic orchestra
Cello (orchestral part)
Item no.: 605866
for: Symphonic orchestra
Cello, double bass (orchestral part)
Item no.: 604248
Viola 1 (orchestral part)
Item no.: 484942
for: Symphonic orchestra
Single part
Item no.: 243017
for: Symphonic orchestra
Violin 1 (orchestral part)
Item no.: 227307
for: Symphonic orchestra
Cello, double bass (orchestral part)
Item no.: 164073
for: Symphonic orchestra
Viola (orchestral part)
Item no.: 332890
Single part Clarinet
Item no.: 904992
Single part Oboe
Item no.: 903758
for: 2 treble recorders, harpsichord, string orchestra
Viola (orchestral part)
Item no.: 347002
Cantata for Whit Monday
Bärenreiter Urtext
for: 4 soloists (SATB), mixed choir (SATB), orchestra, organ
Violin 2 (orchestral part)
Item no.: 875430
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