“Music owes as much to Bach as religion to its founder.” Robert Schumann
It is astounding how abundant and inexhaustible are his works. Johann Sebastian Bach (1685-1750) is more than the epitome of baroque music, and one wonders how a single person could accomplish so much in one lifetime. Show others the brilliance of Bach through Stretta!
After a number of engagements as an organist, in which he often confused more than supported parishes with his improvisational skills and harmonic experiments, in 1708, J. S. Bach was appointed Court Organist & Chamber Musician by the Duke of Saxony-Weimar. It was during this period that he composed most of his organ music. In 1714 he was promoted to Concert Master of the Court Orchestra, and one of his duties was to compose weekly cantatas for the Sunday Service, laying the foundations for the 300 or more Bach Cantatas, of which around 200 remain. For his next position, as Kapellmeister to the Prince of Anhalt-Köthen from 1717, Bach’s role no longer required him to compose sacred music, so it was here that many of any his instrumental works were developed, including The Brandenburg Concertos.
With his last role as Cantor of St. Thomas in 1723, Bach held his first and only official position working for the city, the city of Leipzig. He was responsible for the music at the four main churches in Leipzig, and he taught at St. Thomas’ Boarding School. The St. Thomas’ Boys’ Choir is still one of the most important, and traditional boys’ choirs in the world today. In his final years, despite his steadily declining sight, Bach still created works that are the sum, and pinnacle of counterpoint, such as The Musical Sacrifice or the The Art of Fugue.
As was common in the 18th century, Bach’s works were quickly forgotten after his death. People were only concerned with new music. It was Bach’s sons, and his successors at St Thomas’, who preserved his memory. Composers of the First Viennese School, like Wolfgang Amadeus Mozart and Ludwig van Beethoven, especially admired Bach’s counterpoint, and learned a great deal from him. In the 19th century Bach Renaissance, the St. Matthew Passion was famously rediscovered, and performed in Berlin in 1829 by Felix Mendelssohn-Bartholdy. Another important milestone was the first complete edition of Bach’s works, which was created between 1850-1899. Today’s “New Bach Edition” was published between 1954-2007 by Bärenreiter and has become the authoritative Bach edition. The Original Manuscript of Bach’s B Minor Mass was declared a UNESCO World Document Heritage in 2015.
Johann Sebastian Bach came from a long line of musicians, whose family dated back centuries. Four of his sons continued this tradition, also becoming composers, ending up in London and Milan. With their works, they bridge the gap between baroque and classical music.
Cantata for funeral service / Purification of Mary.
Reconstruction Klaus Hofmann
Urtext Stuttgarter Bach-Ausgaben
for: 2 soloists (TB), mixed choir (SATB), orchestra, basso continuo
Cello (orchestral part)
Item no.: 233919
for: 3 soloists (STB), mixed choir (SATB), orchestra, basso continuo
Viola 2 (orchestral part)
Item no.: 655883
for: 3 soloists (ATB), mixed choir (SATB), orchestra, organ
Cello, double bass (orchestral part)
Item no.: 232713
Cantata for 25th Sunday after Trinity
Urtext Stuttgarter Bach-Ausgaben
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Single part Organ
Item no.: 797214
Cantata for the 1st Sunday after Easter
Stuttgarter Bach-Ausgaben Urtext
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Cello, double bass (orchestral part)
Item no.: 634173
Cantata for Trinity Sunday
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Cello, double bass (orchestral part)
Item no.: 628933
for: 4 soloists (SATB), mixed choir (SATB), orchestra
Cello, double bass (orchestral part)
Item no.: 611421
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Single part Organ
Item no.: 497401
for: 4 soloists (SATB), mixed choir (SATB), orchestra
Single part Organ
Item no.: 424336
for: 4 soloists (SATB), mixed choir (SATB), orchestra, organ
Cello, double bass (orchestral part)
Item no.: 233260
for: 4 soloists (SATB), mixed choir (SATB), orchestra, organ
Viola (orchestral part)
Item no.: 213118
for: Basso continuo
Single part Basso continuo
Item no.: 231589
Coffee Cantata
Urtext Stuttgarter Bach-Ausgaben
for: 3 voices (STB), flute, 2 violins, viola, basso continuo
Single part Harpsichord
Item no.: 691353
Kantate zum 15. Sonntag nach Trinitatis
Single part Organ (transposed)
Item no.: 1644906
for: Organ, orchestra
Violin 1 (orchestral part)
Item no.: 1549329
Kantate zum 13. Sonntag nach Trinitatis
Urtext Stuttgarter Bach-Ausgaben
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Single part Basso continuo
Item no.: 673204
for: Horn
Single part(n)
Item no.: 645002
Single part (Violin solo)
Item no.: 495840
Urtext Stuttgarter Bach-Ausgaben
for: Mixed choir (SATB), orchestra, basso continuo
Viola (orchestral part)
Item no.: 424387
"Aus der Tiefen rufe ich, Herr, zu dir"
Cantata for a penitential service (Version in a minor)
Urtext Stuttgarter Bach-Ausgaben
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Viola 1 (orchestral part)
Item no.: 370798
in Sätzen von Johann Sebastian Bach
for: 4 recorders (SATB quartet)
Single part descant recorder
Item no.: 1317423
Kantate zum 1. Sonntag nach Epiphanias
Früher J.S. Bach zugeschriebenes Werk
for: 4 soloists (SATB), mixed choir (SATB), flute, strings, basso continuo
Viola (orchestral part)
Item no.: 424481
Single part Kettledrums
Item no.: 897942
for: Violin
Violin 2 (orchestral part)
Item no.: 623667
for: Symphonic orchestra
Violin 1 (orchestral part)
Item no.: 604245
for: Symphonic orchestra
Violin 1 (orchestral part)
Item no.: 585552
Violin 1 (orchestral part)
Item no.: 560057
for: Symphonic orchestra
Viola (orchestral part)
Item no.: 555536
for: Symphonic orchestra
Cello, double bass (orchestral part)
Item no.: 491735
for: Symphonic orchestra
Violin 1 (orchestral part)
Item no.: 487053
for: Symphonic orchestra
Cello, double bass (orchestral part)
Item no.: 445404
Single part
Item no.: 432327
for: 3 soloists (ATB), mixed choir (SATB), orchestra, basso continuo
Violin 2 (orchestral part)
Item no.: 349620
for: Symphonic orchestra
Violin 1 (orchestral part)
Item no.: 348164
for: 3 soloists (STB), mixed choir (SATB), orchestra, basso continuo
Cello, double bass (orchestral part)
Item no.: 327986
for: 3 soloists (STB), mixed choir (SATB), orchestra, basso continuo
Viola (orchestral part)
Item no.: 327985
for: 3 soloists (STB), mixed choir (SATB), orchestra, basso continuo
Violin 2 (orchestral part)
Item no.: 327984
for: 4 soloists (SATB), mixed choir (SATB), orchestra, organ
Violin 1 (orchestral part)
Item no.: 327983
for: Symphonic orchestra
Viola (orchestral part)
Item no.: 296627
for: Symphonic orchestra
Viola (orchestral part)
Item no.: 242262
for: Symphonic orchestra
Single part Organ
Item no.: 157648
for: Symphonic orchestra
Viola (orchestral part)
Item no.: 148582
Cantata for Whit Monday
Bärenreiter Urtext
for: 4 soloists (SATB), mixed choir (SATB), orchestra, organ
Single part Organ
Item no.: 659528
for: Mixed choir (SATB), baroque orchestra
Viola da gamba 2 (orchestral part)
Item no.: 612475
for: Organ, strings
Single part Violin 1
Item no.: 331694
for: Organ, orchestra
Single part Cor anglais
Item no.: 1545590
Single part(n)
Item no.: 611965
for: 2 treble recorders, harpsichord, string orchestra
Single part Recorder 2
Item no.: 347000
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