“Music owes as much to Bach as religion to its founder.” Robert Schumann
It is astounding how abundant and inexhaustible are his works. Johann Sebastian Bach (1685-1750) is more than the epitome of baroque music, and one wonders how a single person could accomplish so much in one lifetime. Show others the brilliance of Bach through Stretta!
After a number of engagements as an organist, in which he often confused more than supported parishes with his improvisational skills and harmonic experiments, in 1708, J. S. Bach was appointed Court Organist & Chamber Musician by the Duke of Saxony-Weimar. It was during this period that he composed most of his organ music. In 1714 he was promoted to Concert Master of the Court Orchestra, and one of his duties was to compose weekly cantatas for the Sunday Service, laying the foundations for the 300 or more Bach Cantatas, of which around 200 remain. For his next position, as Kapellmeister to the Prince of Anhalt-Köthen from 1717, Bach’s role no longer required him to compose sacred music, so it was here that many of any his instrumental works were developed, including The Brandenburg Concertos.
With his last role as Cantor of St. Thomas in 1723, Bach held his first and only official position working for the city, the city of Leipzig. He was responsible for the music at the four main churches in Leipzig, and he taught at St. Thomas’ Boarding School. The St. Thomas’ Boys’ Choir is still one of the most important, and traditional boys’ choirs in the world today. In his final years, despite his steadily declining sight, Bach still created works that are the sum, and pinnacle of counterpoint, such as The Musical Sacrifice or the The Art of Fugue.
As was common in the 18th century, Bach’s works were quickly forgotten after his death. People were only concerned with new music. It was Bach’s sons, and his successors at St Thomas’, who preserved his memory. Composers of the First Viennese School, like Wolfgang Amadeus Mozart and Ludwig van Beethoven, especially admired Bach’s counterpoint, and learned a great deal from him. In the 19th century Bach Renaissance, the St. Matthew Passion was famously rediscovered, and performed in Berlin in 1829 by Felix Mendelssohn-Bartholdy. Another important milestone was the first complete edition of Bach’s works, which was created between 1850-1899. Today’s “New Bach Edition” was published between 1954-2007 by Bärenreiter and has become the authoritative Bach edition. The Original Manuscript of Bach’s B Minor Mass was declared a UNESCO World Document Heritage in 2015.
Johann Sebastian Bach came from a long line of musicians, whose family dated back centuries. Four of his sons continued this tradition, also becoming composers, ending up in London and Milan. With their works, they bridge the gap between baroque and classical music.
for: Mixed choir (SATB); piano ad lib.
Choir score
Item no.: 1041431
for: SATB and Keyboard
Einzelstimme
Item no.: 1038704
in Sätzen von Johann Sebastian Bach
for: 4 recorders (SATB quartet)
Score, Parts
Item no.: 419050
for: Voice (high), piano
Score (Urtext edition)
Item no.: 1549130
for: Organ
Study score
Item no.: 256701
Barock/Klassik
for: Flute ensemble (4-6 voices) [4 flutes; alto flute, bass flute ad lib.]
Score, part
Item no.: 689610
for: Piano
Music score
Item no.: 255594
for: Piano
Music score
Item no.: 255583
for: Flute
Music score
Item no.: 403439
for: Mixed choir a cappella
Choir score
Item no.: 822791
for: 3 soloists (STB), mixed choir (SATB), orchestra, basso continuo
Study score
Item no.: 256679
Piano reduction
Item no.: 613073
Book (softcover)
Item no.: 682193
For organ solo arranged
for: Organ
Music score
Item no.: 585256
for: Piano
Item no.: 1586245
for: Guitar
Music score
Item no.: 362331
for: 5 brass winds
Score
Item no.: 927364
for: Guitar or Lute
Score
Item no.: 394022
for: Recorder ensemble
Set of parts
Item no.: 561235
for: Organ
Music score
Item no.: 394915
Piano reduction
Item no.: 285427
for: 4 soloists (SATB), mixed choir (SATB), orchestra
Score
Item no.: 280482
Eulenburg Miniature Scores
for: 2 violins, strings, basso continuo
Study score
Item no.: 391931
for: Guitar
Music score
Item no.: 613899
for: Flute
Music score
Item no.: 612754
for: Organ
Music score
Item no.: 256321
Urtext Edition without fingering
for: Piano
Music score (Urtext edition)
Item no.: 493444
for: Guitar
Music score (with TABs)
Item no.: 672854
for: Piano
Music score (Urtext edition)
Item no.: 1704033
for: Cello, piano [organ]
Sheet music
Item no.: 1216036
for: Organ
Music score
Item no.: 360158
for: Mixed choir (SATB); piano ad lib.
Choir score
Item no.: 1151129
for: Piano [harpsichord]
Music score (Urtext edition)
Item no.: 255857
for: SATB and Keyboard
Einzelstimme
Item no.: 1158114
for: Harpsichord [piano]
Music score (Urtext edition)
Item no.: 296552
for: Harpsichord [piano], string orchestra
Score (Urtext edition)
Item no.: 283894
Includes six harpsichord concertos in full score.
for: 2 harpsichords, orchestra
Score
Item no.: 416718
for: Piano
Item no.: 304347
for: 2 Violinen und Basso continuo (Cembalo, Klavier), Violoncello (Viola da gamba) ad libitum
Item no.: 1711980
for: 2 harpsichords, strings, basso continuo
2 Piano reductions
Item no.: 1711803
for: 2 trumpets, horn, trombone, tuba (quintet)
Item no.: 1690110
for: Gitarre, Oboe (Flöte) und Violoncello
Score, Parts
Item no.: 1689834
in D minor
for: 4 bassoons
Score, Parts
Item no.: 1677497
aus der Reihe "Munich Opera Horns"
for: 8 horns
Score, Parts
Item no.: 1677579
for: 2 trumpets, horn, trombone, tuba (quintet)
Score (C), Parts
Item no.: 1690180
BWV 787/788/789/790/791
für 3 Spieler (Xylophon, Vibraphon, Marimba)
for: 3 Percussionists
Score, Parts
Item no.: 1689841
Chorale Prelude: Wachet auf, ruft uns die Stimme
for: Concert band
Score, Parts
Item no.: 1668818
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